Hand Coloring
Still Life
Composited Scans
Modified Image
Individual scans of the tomato and mandarin orange on a dark background were composited.
The composite image was sepia toned, using the Lab Mode Lightness Channel:
- Image > Duplicate
- Image > Mode > Lab Color
- Copy the Lightness Channel into the Layers palette.
- Image > Mode > Grayscale
- Image > Mode > Duotone: Color 1 = black; Color 2 = TOYO 0544pc (Click on the color swatch to open Custom Colors or the Color Picker.)
The result was copied as a new layer into the RGB image.
With the fruit isolated from the background, the image was then “hand-colored” as follows:
- Take a snapshot of the color composite:
- click on the right arrow in the History Palette
- select New Snapshot
- select From Merged Layers in the dropdown box
- Create another snapshot, this time of the duotoned state. (With the duotoned layer active, click on the page icon at the bottom of the History palette.)
- Set the source state for the History Brush to the full-color snapshot by clicking in the column to the left of that state.
- Use the history brush to paint from the source state into the duotoned layer. I used Blending Mode Color, but experiment with different modes and Opacity settings.
- To retouch mistakes, set the source state to the duotone snapshot and use a fine (History) brush to paint.
The resulting image looked rather gray and not very enticing, so I began to experiment with blended exposures (demonstrated in a previous entry). That, combined with a touch-up to the tomato highlight and Film Grain applied to the background gave the luscious result I was looking for. View a larger version.
When experimenting this way, I'll merge and copy layers every so often before heading off in a new direction:
- CTRL-A to select the entire canvas
- Edit > Copy Merged
- Edit > Paste (creating a new layer)