May 152014
 

Sometimes I get all tied up in knots about my images. Is it interesting enough to shoot, good enough to share? Is that really the color I saw when I was there?

And sometimes it’s fun to just relax and play.

Here I came across someone else’s playtime, but I got to enjoy it too.

Click on either image above to view large.

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Nikon D300; f11, ISO 200 (handheld);
AF-S Nikkor 18-200 mm f/3.5–5.6 G ED

May 172011
 

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Exploring the idea of simplicity, “…where form and space produce strong contrasts—where the experience of the form is heightened because of the space around it.”

Nikon D300; f9.5 @ 1/180 sec, ISO 400 (handheld);
18.0-200.0 mm f/3.5-5.6 @ 112mm (168mm EFL); focus distance 33.5m

May 152011
 

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I seem to have a “thing” for blinds…

To block reflections, this was photographed with the lens pressed flat against the window—a trick I learned from a video interview with Jay Maisel.

Nikon D300; f5.6 @ 1/125 sec, ISO 3200 (handheld);
105mm f/2.8 @ 40mm (60mm EFL); focus distance .71m

Apr 252011
 

 

Panasonic DMC-FZ40; f3.5 @ 1/60 sec, ISO 200 (handheld);
Focal length: 19.7mm (119mm EFL)

 

This is the second capture of a scene photographed in my office three days earlier. While processing the first (shown to the right), I looked over at the same setting under similar light and thought “Hmmm, this isn’t what that was about.”

For the first, I was using a macro lens and emphasis is placed on the cord pull within its surroundings. For the second, I used my Lumix set to the 16:9 format. Now, emphasis is not so much on the cord pull but rather on the vertical pattern of light and line which originally caught my attention.

When photographing something that seems mundane on the street and a passerby asks “What are you taking pictures of?”,  I like to have a good answer for that question. 🙂

Jan 222011
 

On the Tarmac №1
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Lumix DMC-FZ40; f5 @ 1/80sec, ISO 80 (handheld);
Focal length: 16.6mm (91mm EFL)

On the Tarmac №2
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Lumix DMC-FZ40; f5 @ 1/160sec, ISO 80 (handheld);
Focal length: 35.3mm (196mm EFL)

Photographed through an airplane window as the wings were deiced, color first caught my eye on this gray day. Then I noticed the interlocking shapes and lines.